This note is a warm thank you for the sculpting course I took with you and in which I had the privilege of participating. The course allowed me to better establish my understanding of the structure of a head and to now be able to sculpt using the plane approach.
I greatly appreciated your structured teaching method, which I found quite ingenious. I hope to one day see it in book format!
The passage of time has allowed me to better appreciate and understand at least some of the ideas you wanted to convey to us. I thank you for your kindness and patience which made the course more enjoyable and it is certain that I will recommend this course with great enthusiasm to anyone interested in sculpture.

M. C. BoucherSurgeon, amateur sculptor

Any beginner and even amateur sculptors should attend this class. The course is very intensive, very demanding and requires a lot of attention, but you learn a lot.
It shows you not only how to properly use the tools but also how to position your body so as not to tire quickly. It teaches you how to look at your work and that of others. The course does not show just technical elements, it also teaches a way of thinking and understanding sculpture.
After the course you will not see a sculpture in the same way.
I highly recommend it.

M. PichéEng., P. eng.

This course was for me an intense and rewarding experience. I learned as much about structure, volume and plane as I did about myself and my ability to reach a goal. This course made me reconsider my approach as I no longer see sculpture and sculpting in the same way.
Thanks Philippe for your generosity and your hospitality. You are very observant and you knew how to put me at ease. Even though I’ve only been sculpting for a very short time, I felt accepted within the group… This is an important detail given that we spent three consecutive days together.
Finally, I am well pleased to have come across Philippe, a sculptor who does an impressive job of both teaching and sculpting.

B. NantelProduction Manager

He spoke, on his site, of a course off the beaten track. As a couple intrigued by this we began our adventure from Geneva to Montreal.
Everything started with a visit to the studio of the artist Philippe Coudari. We were immediately engaged in the process. There followed three days of dizzying battle, physical and mental, the nose and face sometimes covered with dust from this raw material to be harnessed under the tutelage of a master. He remained riveted on the purpose of the exercise keeping the students on track, always attentive to the progression of one and all, ready to support our unskilled hands. All the necessary explanations were given throughout the process.  It was a marathon of involvement and concentration.  One could ask where it all would end.  The answer is a new horizon opening toward all the prospects of creation, supported by a strong methodological approach. The icing on the cake? At the end of the course the master, based on the participants’ sketches made at the beginning, showed us in a few strokes how to apply the thinking behind the course.  In doing so he demonstrated the potential of the practical application of what we learned, reinforcing our understanding of the course and reminding us that the foundation is and remains the creative act, even when it is awkward.
So, quite simply, many thanks, Philippe, for this adventure and this great class.  Your approach is truly out of the ordinary and a fundamental key to the understanding of sculpture.

F. and I. ScherrerNurse Specialist and Surgeon, Geneva, Switzerland

Finally! This course has allowed me to understand the logic of taking material away. Having worked more in my previous classes by modeling, adding material, my attempts to sculpt in wood and stone were not convincing. I have the sincere impression that now I would know how to approach those materials. After taking the class I am able to make a link to previous techniques and concepts. I now understand theoretically and practically, the idea of volume and the structure of the elements of the face through measurements.
I learned to place myself physically in the best position to be able to use tools that I had not often used. The artist’s studio is beautiful, bright, spacious and inspiring.
Philippe as a professor is patient, careful, precise and a rigorous sculptor. His approach and his course are both well thought out and delivered.
Bonus, the musical atmosphere is excellent!

A. BoursaudProject Manager

This class is not only good for beginners but is also beneficial for sculptors who want to review and classify their discrete knowledge on form and light in such short period of time. I also learned how to use few sculpting tools and how to plan the portrait base more efficiently and more confidently. Thank you! thank you!

A. OveissianPainter and sculptor

What a great experience!
This studio, luminous and full of works by the artist, was the perfect setting for a beautiful experience. What a surprise to see my block of clay gradually transform into a splendid head! Thank you Philippe for your kindness, your patience, generosity and technical support.
Beyond the techniques, the shared expertise and passion, your teaching sharpened my perception of form, volume, shadow and light. It even enhanced my way of seeing things in three dimensions.

J. OuimetRetired, Pediatric Rehabilitation

Having made a few non-figurative woodcarvings, this training allowed me to better understand the proportions of a face as well as to improve my sense of observation.
The method is very effective and the result surprising.
I recommend this course to anyone who likes the sculpture even if she has ever made.
It also allows me to better appreciate the works in Gallery and Museum.

R. CharneuxExecutive Vice-President

After taking Coudari’s sculpture course I not longer see the world in the same way. I had worked with clay in the past but I had never tried to sculpt. What a great discovery! I loved this experience! Coudari shares his passion for sculpture and is expert in guiding each student throughout the workshop. You use ruler and compass, concentrate and listen to anatomical concepts and measurements, execute precise cuts and from a big block of clay, finish with a head…it’s fascinating! I wish I had the opportunity to follow such a course at college. No, I do not see things the same way at all since I took the course with Coudari and this will certainly influence my work in painting.

J. PicardArtist painter

I arrived on tiptoe. I left head high. Coudari: what a sculptor, what a teacher, talented and generous. Thank you Philippe!

S. BeaucheminPh.D. in sociology retired